Farid Haddad
Revival Variation | 1974
Graphite on paper with subtractive effects. 10 drawings of 69 x 100 cm each.

This series of ten drawings titled “Revival Variations” was completed in 1974 in the artist’s studio on Manara Street in Chouran, Beirut, Lebanon. Three of these variations, "Revival Variation III", "Revival Variation VIII", and "Revival Variation IX" were part of a one-person exhibition at Delta International Art Center (aka Delta Gallery) in Rome, Italy (April 3-18, 1975). "Revival Variations" followed his 1973 "Color Field Variations" and "Field Variations" series which were exhibited at Delta Gallery in Beirut in 1973. All of these works focus on the structure and dimensions of the landscape, its geometric order and grid framework, as well as reference the illusory effects of the field and its progression in space.

Reference FH-1974-WP-A(1-10)

Biography of the artist

Born in Beirut. 1945
Works and Lives in USA


Farid Haddad, artist and educator, earned a BA in Fine Arts from the American University of Beirut and an MFA in Drawing and Painting from the University of Wisconsin at Milwaukee. In 1972 he received a Fulbright-Hays grant to explore the practices of lithography and embossing in New York City. In the mid-eighties he was the recipient of two Individual Artist Grants from the New Hampshire State Council on the Arts. In the late sixties Haddad was known primarily for his constructivist style and began exhibiting black-and-white ink drawings characterized by their linear compositions, geometric shapes, patterns and gradations. Following this period, Haddad produced works based on both experimental and spontaneous approaches to drawing and painting that were exhibited in Beirut at Contact Art Gallery in 1972. After which, for about three years, he intensely focused on Color Field works by exploiting the expressive use of abstraction and color, and their relation to the landscape. In the late seventies and early eighties, Haddad deepened his visual language by circling back to, and exploring additional aspects of his experimental, spontaneous and gestural works with transitory qualities as a way to convey immateriality. Haddad had his first solo exhibition in 1971 at the John F. Kennedy American Center in Beirut, and since has had twenty one-person exhibitions in Beirut, Lebanon (1972, 1973, 1975, 1992); Kuwait City, Kuwait (1972); Rome, Italy (1975, 1986); New York City, New York, USA (1976, 1977, 1979, 1980); Milwaukee, Wisconsin, USA (1977, 1978, 1979, 1981, 1983); Paris, France (1981); and Henniker, New Hampshire, USA (1993, 2007). He has participated in more than fifty group exhibitions in Europe, the Middle East and North America.