Mona Hatoum
Impenetrable (S.Version) | 2010
Steel, fishing wire. 285 x 285 x 285 cm. 1/1

“Impenetrable” is a cube composed of vertical lines, suspended inside a white gallery with transparent wires, giving the illusion of a floating cube. Reminiscent of the spatial interventions produced within Kinetic art, its title directly refers to Jesus Rafael Soto’s “Penetrables”. Thus, Hatoum’s piece is literally “Impenetrable”, as the vertical lines are barbed wires and the invitation to breach into the translucent space is immediately replaced by an unsettling feeling. Pervasive in zones of conflict, barbed wires that prevent people from passing are undeniably symbols of oppression. Born in Beirut to a Palestinian family, Mona Hatoum, who settled in London, has constantly engaged, through her work, the conflicts that shook her homeland and its people, deep to their intimate core. Thematics of incarceration, isolation and territorial fragmentation appear in many of her installations, videos and objects.

Reference MH-ISO-2010-A

Biography of the artist

Born in Beirut, Lebanon. 1952
Works and Lives in London


Hatoum was born in Beirut, to a Palestinian family. She attended Beirut University College from 1970 to 1972, then travelled to Britain as a student in the mid-1970s and settled in London in 1975 due to the civil war in Lebanon. She studied at the Byam Shaw School of Art from 1975 to 1979 and at the Slade School of Art from 1979 to 1981. Throughout the 1980s she held a number of artist's residencies in Britain, Canada and the United States. Hatoum has occupied part-time teaching positions in London, Maastricht, and Cardiff, where she was Senior Fellow at Cardiff Institute of Higher Education from 1989 to 1992, and in the mid-1990s she taught at the Ecole des Beaux-Arts in Paris. Hatoum's pieces are concerned with confrontational themes such as violence, oppression and voyeurism, often in reference to the human body. Conflict arises from the juxtaposition of opposites such as beauty and horror, desire and revulsion. Until 1988 Hatoum worked mainly with video and performance. Since 1989 she has concentrated on making installations, the first group of which were exhibited in 1992 at the Chapter Gallery, Cardiff. She has participated in numerous important group exhibitions including The Turner Prize (1995), Venice Biennale (1995 and 2005), Documenta XI, Kassel, 2002, Biennale of Sydney (2006), the Istanbul Biennial (1995 and 2011) and The Fifth Moscow Biennale of Contemporary Art (2013). Solo exhibitions include Centre Pompidou, Paris (1994), Museum of Contemporary Art, Chicago (1997), The New Museum of Contemporary Art, New York (1998), Castello di Rivoli, Turin (1999), Tate Britain, London (2000), Hamburger Kunsthalle, Kunstmuseum Bonn, Magasin 3, Stockholm (2004) and Museum of Contemporary Art, Sydney (2005). Recent exhibitions include Measures of Entanglement, UCCA, Beijing (2009), Interior Landscape, Fondazione Querini Stampalia, Venice (2009), Witness, Beirut Art Center, Beirut (2010), Le Grand Monde, Fundaciòn Marcelino Botìn, Santander (2010) and as the winner of the 2011 Joan Miró Prize, she held a solo exhibition at Fundació Joan Miró in Barcelona in 2012. In 2013-2014 she was the subject of a solo exhibition at the Kunstmuseum St Gallen and the largest survey of her work to be shown in the Arab world is currently held at Mathaf: Arab Museum of Modern Art in Doha.