Seta Manoukian
Immediately Afterwards
1989 -
Acrylic on canvas
147 x 190 cm.
The composition is of two male figures: one is floating horizontally above the second that is foregrounded off center, looking pensive. There is a vertical white line in the middle of the composition representing the psychic center- when people are silent, listening to their heart and mind. “Immediately Afterwards” is part of the Vertical Horizontal paintings.
After a decade in war-torn Beirut, painting the dismantlement of the city, Seta Manoukian immigrated to Los Angeles in 1986. There, she started the Vertical Horizontal or T Shape series as a personal healing process after the turmoil. The series features male figures which are placed, grounded or floating over a minimalist empty space.
According to the artist, the floating figures have no roots and are not awakened, while the standing ones have found their center.
Reference SM-P-1989-B
About the artist
Born in Beirut, Lebanon 1945
Works and Lives in Los Angeles, U.S.A
Born into an Armenian family artist Seta Manoukian grew up in Beirut, Lebanon.
Taught by Paul Guiragossian, she began to draw at an early age. She won the first prize in an art competition organized by the Italian Embassy at the age of seventeen and was sent to Perugia, Italy, for three months to study art. When Seta finished her studies, her father enrolled her into the Academy of Belle Arte in Rome. She returned to Beirut in the seventies, after four years in Rome.
During this period, Manoukian surrounded by artists, writers and journalists, started becoming aware of the grave political problems that her country was facing.
When the war began in 1975, Manoukian was teaching at the Lebanese University. She began volunteering in poor neighborhoods to teach children how to draw and paint. The children’s paintings and drawings were made into two books “War Through the Eyes of Lebanese Children” Published in 1977, and “Taches Rouge Et Blue.”
After 10 years in Lebanon, with the fear of being kidnapped, Manoukian travelled to LA and joined the Sherry Frumkin Gallery in Santa Monica. Still shaken by the war, Manoukian’s work revolved around themes of displacement and the madness of war. She later transitioned into more organic shapes inspired by her increasing spirituality.
In 2000, she traveled to Sri-Lanka to study Buddhist philosophy and meditation and decided to stay and further delve into Dharma, the teachings of Buddha.
Manoukian has since become a Buddhist nun known as Ani Pema Drolma and resides Ari Bhod in Tehachapi, a retreat in California.