Annabel Daou
The Seas you Crossed
2025 -
Gesso, repair tape, ink and watercolour pencil on mircofiber paper
96 x 90 cm.
"The image of the globe thistle (native to Lebanon) harks back to my early paintings before language entered and gradually erased the image. It found its way into my
work again over this past year as it has once or twice before in times of stru#le and turmoil. Here, the thistles, indigenous markers of place, concealing, disrupting and replacing language, become netlike in their interlacement. They conjure barriers or boundaries across the block-like grid structure. The sentences spanning the surface of the piece felt like a way to expand the space into a bi#er story, the story of a life, of so many lives. The letters themselves push out to meet and wrestle with the sharp spikes of the strange flowers, for me symbols of a fragile tenacity." (Annabel Daou)
TEXT
The seas you crossed
The secrets you kept
The silence you broke
The spells you cast
The cuts you healed
The excuses you made
The time you spent
The tears you shed
The solace you found
The words you wrote
The pages you turned
Reference AD-WP-2025-A
About the artist
Born in Beirut, Lebanon 1967
Works and Lives in New York
Annabel Daou’s works occur at the intersections of writing, speech, as well as non-verbal modes of communication. Her paper and tape-based constructions, sound pieces and performances, explore the language of intimacy and self-encounter. Using phrases that are alternately repetitious, possessive and imperative, she negotiates the space between the matters we hold close and the hold these matters have on us. Daou physically intervenes and reconfigures the surfaces of her works by tearing them up and repairing them again. Words written on mending tape alternately hold together and pull apart the various surfaces. These are made out of various kinds of papers with textures which give the impression of wood, glass shards, fabric or precious metals. Daou’s handwriting functions as a link between the individual pieces. The sources of her writing are literary models as well as her own memories.